Powerfully modeled, this fragment is exemplary of the highest quality carving and technical expertise in the 1st Century AD. Rome adapted this aesthetic after conquering the Greeks and the Mediterranean world from the middle of the Third Century BC to the First Century BC. When Greek states were sacked, artistic treasures were brought back to Rome as trophies. Because of the demand, Greek sculptors emigrated to help meet the demand, and founded Neo-Attic schools where these aesthetic traditions were further developed. This particular sculpture most closely associated with a type developed by Praxiteles in the middle of the 4th Century to test the limits of realistic representation and explore human form. To that end, the taste of the era for ideal muscular youths in sculpture was quickly popularized, with the subjects of Apollo or Dionysos becoming immensely desirable.